Haut sales film
A 40-second 3D sales film for Haut, software for bars and restaurants. Closing time at 1:12 AM, a night that never adds up, then the same night on Haut. Built in Blender with kinetic type, voice-over and sound designed to the frame.
Services / Product films
Films that make people want the product, built in motion so there is no shoot to schedule. For food and drink, D2C, jewellery and SaaS brands with a launch coming and nothing that shows the product yet.
Sales and launch films for our clients, in 3D and motion, written to the voice-over.
A 40-second 3D sales film for Haut, software for bars and restaurants. Closing time at 1:12 AM, a night that never adds up, then the same night on Haut. Built in Blender with kinetic type, voice-over and sound designed to the frame.
A 64-second film for QwikQuote.ai, QCS Tech's refinance quoting tool for US loan officers. One loan officer's story, told with the product on screen, voice-over, music and sound.
A 4K launch film for a conversational AI product, from script to screen in one week. Screened at conferences and summits worldwide.
Read the case studyA second 4K product film in the same system, turning a six-step workflow into a 74-second story.
Read the case studyQED Vault authenticates products and turns every token movement into real-time data, a detailed view of a product's journey. The client sent a script. Picante designed, edited and crafted the film and its audio from scratch. 97 seconds, 4K.
Read the case studyShort films we cut for the feed, in 16:9: our own reels, and moments from client work.
Our own 12-second film: kinetic type, our product films, SaaS work, websites and stills, cut to the music with sound designed to the frame.
Ten seconds, one word per beat. Every flash is real work: our films, client films and a site we built. The Jimmy's, Misfits and Bangalore Watch Company flashes are self-initiated concepts.
Three moments from the Convo AI launch film for QCSTech: voice, chat and always on.
Read the case studyWe designed a hot sauce for the studio, then made it in eight looks, from hyper-motion 3D and flat 2D to claymation and pixel art. Same bottle, one continuous turn.
Logo, brand system, identity and website for a psychologist who started with nothing, live in ten days.
Read the case studyThree quick line drawings become three of our product films. No studio, no crew, no shoot day. The bottle and watch films are self-initiated concepts.
The first five seconds of our studio film three times: sound off, music only, then the full sound design.
A botanical specimen study rebuilt around one chilli. The photographs are generated; every word, line and transition is set in code.
People spend about 1.7 seconds with a piece of content in a mobile feed (Facebook IQ, 2016). The three rules we build every product film around.
A launch is coming and there is no film. A shoot is not in the budget or the calendar. Or you have a script and a deadline and nothing else. Food and drink, D2C, jewellery, watches and SaaS brands are most of what we do.
Not for you if the film needs a camera crew on location, a presenter, or real people tasting the product. We build in motion; a shoot is a different service and we will say so on the first call.
Hyper-motion product films: ten to thirty seconds, the product as the hero, built in 3D and motion from your product photos or files. Motion-graphics ads for feeds and screens. 2D explainers for products that need a story told in order. 3D product visualisation and still packs for listings and launches. Every film is delivered in the formats you run: 9:16, 1:1 and 16:9, with and without text.
A one-page direction first: the idea, the references and a timestamped beat sheet you approve before anything is animated. Then the film is built in-house, so the first draft is the real thing. Sound is designed with the picture. Revision rounds are agreed up front and feedback goes in one list.
Standard turnaround is 7 to 10 business days from an approved direction. The QCSTech Convo AI launch film went from script to screen in one week. Rush delivery in four business days or less is possible; it is quoted as a rush.
The deliverables we quote, and how long each usually takes from an approved direction. Send the brief and the quote comes back the same day, fixed.
| What | Includes | Turnaround |
|---|---|---|
| Hyper-motion product film, 15 or 30 seconds | The product built in 3D from your photos or files, the film designed in motion, sound to picture, every format you run | 7 to 10 business days |
| Motion-graphics ad, 15, 30 or 60 seconds | Type, graphics and product in motion for feeds, screens and paid placements, with sound design | 7 to 10 business days |
| 2D explainer, 60 to 90 seconds | Script support, storyboard, voice-over coordination, motion design | Agreed per brief |
| Editorial or data explainer, 30 to 60 seconds | A process, a number or a workflow told in order, in your brand | 7 to 10 business days |
| 3D product visualisation | Stills and turntables of the product, model supplied or built by us | About a week |
| 3D still pack, five angles | Five rendered product images for listings, launches and ads | About a week |
| Motion over static, 5 to 10 seconds | An existing image brought to life for feeds and ads | 2 to 3 business days |
| Campaign creative | Concept, key visual and three adaptations, ready for the film and the stills to sit inside | About a week |
| Creative and art direction | Direction on a shoot, a launch or an existing team's work, by the day or half day | By the day |
| Formats and cutdowns | 9:16, 1:1 and 16:9, with and without text; cheapest when asked for at the start | With the master |
One fixed price, in writing, within a day of the brief. It covers the deliverables, the revision rounds, the timeline and where the work can run. Standard means one draft and one round of changes. Premium adds custom illustration, modelling or sound design, and a second round. Organic and paid digital for a year in one market is included; television, outdoor, print and global use are quoted on top. Voice-over, music and stock are passed through at cost.
Short, in writing, and the same every time.
Straight answers, the same ones we give on the first call.
It depends on length, 2D or 3D, whether the product has to be modelled from scratch, custom sound, formats and revision rounds. We quote every film as a fixed price within a day of the brief. Published market ranges and the questions that make two quotes comparable are on our product film cost page.
No shoot. We build the product in 3D from clear product photos, pack artwork or a 3D file if you have one. If the product has to be modelled from scratch we say so before quoting.
Standard turnaround is 7 to 10 business days from an approved direction. Rush delivery in four business days or less is possible and quoted as a rush. Tell us the real deadline on day one and we plan backwards from it.
Whatever you run: 9:16 for reels and stories, 1:1 for feeds, 16:9 for screens and YouTube, each with and without text. List every placement in the brief; formats added after delivery cost more than formats planned.
Yes. QCSTech and QED Vault both sent finished scripts and we designed, animated and scored the films from them. If there is no script, the direction page covers the story.
Organic and paid digital for 12 months in one market is included. Global or perpetual digital use, television, outdoor and print at scale are quoted on top.
Case studies from this service. Client work is named. Concepts are self-initiated.
Send the brief, the product or just the problem. We reply with an approach and a quote.